The main expressive means that Monet uses in his paintings can be safely called light. The play of light and shadow fascinated the artist with his elusiveness and variability. Claude Monet observes the "behavior" of light in nature. He sees that the same objects, the same landscape under different lighting conditions look completely different.
The artist decides to try to reflect his observations with a brush and paints. So a cycle of his paintings appears, to which the Haystack also belongs. Monet worked on a painting in a place called Giverny. The full name of the canvas, completed in 1889, is: "Haystack in Giverny." By the way, there Claude painted many other paintings that brought him worldwide fame and recognition.
At first glance, there is nothing remarkable in the film “Haystack”. It is unclear what could attract an artist and inspire him to create such a masterpiece. Before us is a completely everyday picture of the rural nature of the French countryside.
Horizontally, the painting is divided into several layers, layers. In the foreground we see a strip of dark green grass. On the right in this strip is a huge haystack that immediately attracts the attention of the contemplator of the painting. The stack cone is a little uneven, which only enhances the authenticity of the picture.
Right behind the stack, a shadow zone with green grass ends. The area begins, illuminated by bright sunlight, the grass becomes bright green, with a yellow tint. The border of light and shadow is visible very clearly. It does not go straight, but a little horizontally, which adds a little movement to the picture.
The next layer of Monet's painting is a series of rare trees growing in a row. These trees do not give a shadow and do not detract from the general impression of transparency and zero gravity of the landscape.
Picture Morning In Pine Forest