The Renaissance in painting is an amazing period of creating unique masterpieces. Paul Cezanne is a French impressionist artist who was a craftsman in describing the life and soul of a person. All the paintings painted by the creator bore the imprint of his inner world.
The interest in life was aroused by masterpieces that carried a mysterious force and power. Experts were surprised when the artist created the theatrical work “Harlequin”. This was one of the last works of the impressionist. Not being carried away by acting and roles, the artist quite clearly describes the life potential of the theater as a whole.
The image of the harlequin jester Harlequin involuntarily recalls the restraint and patience that were characteristic of Cezanne. Cubic shapes show the sharpness and darkness into which the actor has fallen.
Alienation is pronounced on the canvas, the artist is clearly and simply trying to show Harlequin’s contradiction to the outside world. You can see that the clown’s mouth is missing. Unwillingness to communicate is expressed by actor Harlequin. Attachment to the theater for the jester is life. Laughter through tears that no one should see.
Harlequin's strict camp reflects a kind of self-doubt. The reaction to the theatrical play of the actor excites everyone. But will he go on stage this time? Considering this composition, one can understand the instability of the artist’s feelings.
The Cezanne is characterized by warm and modest motifs of colors, however, the red Harlequin costume with black rhombs is striking.
If we take the general development of painting, then the theatrical form of art is always carried away by the fact that it hid secrets. The traits of ignorance smoothly intertwine with bright tones, despite spiritual anxiety. Paul Cezanne is one of the few who made cubic forms humane, guided only by their own emotions. An indicator of a strong acting, despite the negative state of mind.
Description Picture Alyonushka