Van Dyck is a Flemish portrait painter and artist of the religious genre.
The portraits of this creator show games of light with shadow, a combination of plastic and linear rhythm, color, which was influenced by the work of Rubens and the school of Venice. When Rubens returned to his home, in 1632 Van Dyck left for England, because He didn’t want competition between him and the brilliant master, he begins to serve under King Charles I, they were awarded the rank of chief royal painter and the title of knight.
Over the years, the artist creates a royal portrait and several portraits of court aristocrats from England. Charles I portrayed them in full growth against the backdrop of nature, he took a royal pose and was dressed in beautiful clothes. Although the portrait was embellished, the artist’s inherent sense of proportion and his excellent abilities saved the work from the impression of gross flattery.
The character of the work rests on a cane near the edge of the cliff. Its silhouette stands out against the sky with clouds, which has faded into the background. A hat with wide brim makes his image even more expressive, attracts a spectator look to his face, which looks spectacular.
The artist began to paint a portrait when the king was full of vitality and energy. He had a well-built physique. By nature, he was melancholy, with a disposable, serious and pleasant appearance. Royal actions indicated that he was not characterized by a tendency to despotism and immoderate lust. Karl was a real sovereign, fair and kind.
In the portrait, the creator with the help of colors, light and forms conveyed such fidelity that the king appeared before the eyes of people with his emotions on his face. In this way, with great responsibility, artists of the Middle Ages reproduced the people they represented.
Dali Painting With A Clock